Museum Objects

My research examines the shifting meanings and values of museum objects. I am particularly interested in plaster casts and other copies and reproductions, using them to investigate questions of authenticity, originality, and historical significance. This work sits at the intersection of museum studies, art history, material culture studies, and archaeology.

Publications

Cast-in-Place: The Reactivation of Nineteenth-Century Plaster Casts in Brutalist Architecture

Echoes, Ripples, Wake: Casting Art and Flesh is an edited volume that offers a critical reappraisal of plaster casts and their afterlives. My chapter traces the changing meanings and values of nineteenth-century plaster casts in the United States through the case of Yale University’s historic cast collection. Focusing on their incorporation into Paul Rudolph's Brutalist architecture, I show how casts long removed from public view were reactivated and revalued, creating new relationships between artistic traditions and modern architecture while mutually reinforcing the significance of casts and building.

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Original? The Copy in Art Historical and Museological Context

This essay for the UMass Amherst Department of History’s Past@Present blog uses Apollo Sauroktonos as a starting point for examining the changing meanings and values of copies in art historical and museum contexts. I complicate the concept of the “original” by considering copies and representations as products of their own times. Zooming out through three levels of abstraction, from a lost Greek bronze to a digital photograph, I interrogate each layer of replication to reveal entangled stories of classical art, art historiography, and museum studies.

Past@Present

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