Clinton A.M.E. Zion Church: A Sustainable Future for a Historic Church
Interpretive display outside the Du Bois Freedom Center about African American heritage in the Berkshire region of Massachusetts.
Curating
My curatorial practice centers collaboration and object-centered approaches and is deeply integrated into my teaching and research. Through exhibitions, installations, and digital projects, most developed with students as part of museum training coursework, I have curated materials ranging from archaeological artifacts to photographs to archival documents in order to spark conversations about history, culture, and ethics.
Curation Projects
De la Tierra: Indigenous Ceramics from West Mexico Transcending Time and Space
Student-curated exhibition showcasing ancient and contemporary Indigenous ceramics from West Mexico at the Stanford Archaeology Center.
Illuminating Object Histories and SUAC Case Exhibits
Case exhibits at the Stanford University Archaeology Collections exploring archaeological and anthropological objects through provenance research, student curation, and object-centered interpretation.
Picturing the Animal: Animals in Visual and Material Culture
Digital exhibition examining representations of animals and human-animal relationships using ethics as lens and art-based pedagogy as method.
Records of the Past: The Making of Music Culture in Georgia
Student-curated exhibition tracing Georgia music history through material culture at the UGA Special Collections Libraries.
Systematic Thinking: Photographs from the Permanent Collection
Co-curated exhibition at the Yale University Art Gallery considering photography’s engagement with systems of order and classification.
Woven Narratives: Textiles as Living Archives
Student-curated exhibition illuminating textiles as archives of cultural history, memory, and identity through objects from the Stanford University Archaeology Collections.